Skip to main content

Life in a Bottle


In book VII of The Republic, we are presented with the allegory of the cave. Plato gives us a representation of the enlightenment of the soul. This is much like the spiritual enlightenment we receive through Christ. 

I grew up in a Southern Baptist household where I was taught the things of God from a very young age. Though I knew in my head about Jesus, He was only a shadow in my heart. He was like the shadows on the walls of the cave. I went to church every Sunday and Wednesday; every time the doors were open. I took in everything but took nothing seriously. I experienced life in a bottle, completely separated from spiritual reality. I was a prisoner chained in a cave; a prisoner to sin and my own selfish desires. I saw only shadows on the wall and heard only the echoes of all the voices around me, but I thought it was real. 

It wasn't until Jesus came down into my cave and led me by the hand into the light that I started to see. I began to understand that what I had been living was not true life, but only a distorted version of it. I began to finally comprehend what Jesus had done for me when He died on the cross. It was becoming real to me that the Holy Spirit was living inside me and guiding me in becoming more like Christ. I began to understand what it means to be more like Jesus. All of this was starting to be clear, but I was still seeing through spots. I had the dazed eyes of a person who had just come into the light.

"...good...is seen only with an effort; and, when it is seen, is also inferred to be the universal author of all things beautiful and right, parent of light and of the lord of light in this visible world, and the immediate source of reason and truth in the intellectual; and that is the power upon which he who would act rationally, either in public or private life, must have his eye fixed." (Plato, 203)

This is what Socrates wanted for the perfect city.; for people to have the ability to fix their eyes on the light of wisdom so they could live good lives. In The Republic, spiritual enlightenment meant one gained more perfect happiness. This passage of reading is strikingly similar to on in 1 John. "But if we are living in the light, as God is in the light, then we have fellowship with each other, and the blood of Jesus, his Son, cleanses us from all sin." (1:17) 

In the allegory we see a man being brought out of the darkness of the into the sunshine. This is a picture of what happens to us when we are brought out of the darkness of sin and into the brightness of the Son. When our enlightenment comes from the Lord, our happiness is made complete. As we continue to live in the light, our eyes will grow accustomed to its brightness. We no longer live in the shadows but in the fullness of God.

"...I am the light of the world. If you follow me, you won't have to walk in darkness, because you will have the light that leads to life." (John 8:12)


Commented on Haylee's and Braylan's posts.

Comments

Popular posts from this blog

Word Painting in Vesta—Lily Caswell

  Word painting in Weelkes’s As Vesta Was from Latmos Hill Descending is quite interesting. And because that is a really long title, I’m calling it Vesta from now on. Word painting is basically when the melody matches up with the lyrics. So in Vesta, when it says “ascending” and “descending”, there are obviously scales going up and down. The madrigal was written for six voices to sing unaccompanied, so when they start to come together, it matches with the lyrics; so if the lyric says “two by two”, there are only two voices; “three by three” there is another voice added, and so forth. All the parts combine in exclamation before Vesta before it is left “all alone” to the highest soprano. All the way to the end of the piece, word painting continues when shouts of “Long live fair Oriana” with the bass sustaining long notes. Word painting in and of itself is a highly interesting topic because a musician takes the words of a poem or a sonnet and writes a melody line that pertains to cer...

Welcome to Honors! (Please Read This)

     Welcome to Honors! My name is Abbie Hedden and I serve as President of Honors. Jamie Peters is our Vice President, and Caroline Tucker is our Secretary. I look forward to getting to know all of you in class during this upcoming year! There are a few things you need to know about Honors.      There are no quizzes or tests in Honors. Grades are provided based on attendance/class participation, blogs, explication papers, and the research paper. The papers will be addressed at a later date, as they aren't due until later in the semester. However, there is a blog post due every week. Bearing that in mind, here are the requirements! Criteria Blog posts are due Monday at 11:59PM , and comments are due Tuesday at 9:29AM . DO NOT BE LATE ON ASSIGNMENTS. Points WILL be deducted from late assignments! Be sure to have your name in your Blogger profile Blog posts should include at least one to two paragraphs on that week’s reading assignment.  Blog posts shoul...

The Dark Side of Justice // Jessef Leslie

  When we hear the word justice we think of righteousness, piety, and triumph. The feeling it brings is one of the good guy winning and the bad guy being put in his place. The issue in these definitions and connotations is they leave out vengeance. Vengeance is a part of justice just like odd numbers are a part math and it isn't to be left out. In The Eumenides by Aeschylus, vengeance is personified as three female deities called Furies " Apollo: 'Gorgons I'd call them; but then with Gorgons you'd see the grim, inhuman... These have no wings, I looked. But black they are, and so repulsive. Their heavy, rasping breath makes me cringe. And their eyes ooze a discharge, sickening, and what they wear - … sacrilege!'" (Aeschylus, (Robert Fagles, 232). They are described as nasty almost human like creatures seen as evil. They chase Orestes, Agamemnon's son, for murdering his mother. The Furies represent his mother's, Clytemnestra, rage and revenge as he...