Skip to main content

In Search of Wholeness-Rachael Gregson



Hildegard von Bingen is a woman to be admired, not just because her opera Ordo Virtutum was one of the the first plays about virtue, but also because she wrote it during a time where everyone was hesitant to explore what the natural human was like. An interesting thing to note about it is that while the purpose of the Ordo Virtutum was to encourage its audience to do better so that one day they may inherit eternal life, it does not really go into detail about biblical events, what the life of a saint looks like, or even so much as miracles. Rather, it elaborates on more of the virtues by giving human-like characteristics to them, and also about the Devil fighting over the destiny of a human soul. 

At first, I was not quite sure what to make of this portrayal of hers on the virtues. To me, it sort of sounds like she was implying there's a sense of danger in trying to find our destinies, paths, purposes in life, as if all this struggling and searching allows some sort of crack that the Enemy can slip through. For those just wanting to discover themselves as well as learn their virtues and strengths, it's almost like a spit in the face. 

But I think Hildegard intends it to be a gentle warning, not a spit in the face after all. The moment we know that we are not whole is the moment that the Enemy knows this as well, and he will stop at nothing to attempt to keep us this way. The more we get closer to filling the hole inside of us properly with the goodness of God and the plan and purpose He has for us, the more the devil will send attack after attack. Hildegard is far from discouraging a search for wholeness. Through the Ordo Virtutum, she's just recommending that believers be completely aware of Satan's schemes while on this search.

I commented on posts by Brooke and Hailey M.

Comments

  1. I recall the example of stereotypical sports coaches who treat their players with a kind of hard love in order to try and challenge them to be better at their craft. It seems that Hildegard was thinking along the same lines with the audience and the theme of the Ordo Virtutum, and having more structure or discipline in the way a child is raised or someone conducts their everyday tasks would not likely hurt in the effort to obtain a better life like what some denominations believed one could do. Having a lesson to learn from a story is a defining characteristic of drama and other audiovisual arts, and respect and discipline were certainly at the top of that list during Hildegard's time.

    ReplyDelete
  2. Hi Rachael! Interesting post! I think you were spot on when you mentioned how Hildegard implied danger in searching for yourself. And I agree with your idea that maybe she was warning rather than reprimanding. It is definitely important for us, as Christians, to remember that the Enemy will take even the smallest doubt or fear, and use it to turn us away from God.

    ReplyDelete

Post a Comment

Popular posts from this blog

Word Painting in Vesta—Lily Caswell

  Word painting in Weelkes’s As Vesta Was from Latmos Hill Descending is quite interesting. And because that is a really long title, I’m calling it Vesta from now on. Word painting is basically when the melody matches up with the lyrics. So in Vesta, when it says “ascending” and “descending”, there are obviously scales going up and down. The madrigal was written for six voices to sing unaccompanied, so when they start to come together, it matches with the lyrics; so if the lyric says “two by two”, there are only two voices; “three by three” there is another voice added, and so forth. All the parts combine in exclamation before Vesta before it is left “all alone” to the highest soprano. All the way to the end of the piece, word painting continues when shouts of “Long live fair Oriana” with the bass sustaining long notes. Word painting in and of itself is a highly interesting topic because a musician takes the words of a poem or a sonnet and writes a melody line that pertains to cer...

Welcome to Honors! (Please Read This)

     Welcome to Honors! My name is Abbie Hedden and I serve as President of Honors. Jamie Peters is our Vice President, and Caroline Tucker is our Secretary. I look forward to getting to know all of you in class during this upcoming year! There are a few things you need to know about Honors.      There are no quizzes or tests in Honors. Grades are provided based on attendance/class participation, blogs, explication papers, and the research paper. The papers will be addressed at a later date, as they aren't due until later in the semester. However, there is a blog post due every week. Bearing that in mind, here are the requirements! Criteria Blog posts are due Monday at 11:59PM , and comments are due Tuesday at 9:29AM . DO NOT BE LATE ON ASSIGNMENTS. Points WILL be deducted from late assignments! Be sure to have your name in your Blogger profile Blog posts should include at least one to two paragraphs on that week’s reading assignment.  Blog posts shoul...

Topsy Turvy Day—Lily Caswell

  I cannot remember how old I was when I watched T he Hunchback of Notre Dame  but I was at least 8 or 9. I didn’t realize until probably a couple of years ago that the song  “Topsy Turvy” and the corresponding event was actually based on a real festival. The Feast of Fools was usually held on January 1 though it could have also been held on the 6 th  or the 13 th  of January. It was portrayed as a parody of Catholic feasts. Church bells were rung improperly, songs were sung out of tune, and the celebrants “wore strange garments and masks, and used puddings, sausages, and old shoes as censers.” (Seaton, p 77) In the song “Topsy Turvy”, it says “It’s the day the devil in us gets released / It’s the day we mock the prig and shock the priest / Everything is Topsy Turvy at the Feast of Fools… And it’s the day we do the things that we deplore ‘ On the other three hundred and sixty-four.”  I commented on Haylee Lynd’s and Jamie’s posts. Sources: https://www.brita...