Skip to main content

Word Painting in Vesta—Lily Caswell

 Word painting in Weelkes’s As Vesta Was from Latmos Hill Descending is quite interesting. And because that is a really long title, I’m calling it Vesta from now on. Word painting is basically when the melody matches up with the lyrics. So in Vesta, when it says “ascending” and “descending”, there are obviously scales going up and down. The madrigal was written for six voices to sing unaccompanied, so when they start to come together, it matches with the lyrics; so if the lyric says “two by two”, there are only two voices; “three by three” there is another voice added, and so forth. All the parts combine in exclamation before Vesta before it is left “all alone” to the highest soprano. All the way to the end of the piece, word painting continues when shouts of “Long live fair Oriana” with the bass sustaining long notes.


Word painting in and of itself is a highly interesting topic because a musician takes the words of a poem or a sonnet and writes a melody line that pertains to certain words. If a song has a sad feel, the madrigal might be in a minor key; if the song has a happy feel, it might be in a major key.  In the English Madrigals file, it says that word painting led to music making a spectacle of itself and gave rise to the ornamented style we now call Baroque. Even today, word painting is being used. In the Garth Brooks song, “Friends in Low Places”, Brooks sings the word “low” on a low note; in Leonard Cohen’s “Hallelujah”, when he sings “It goes like this the fourth, the fifth, the minor fall and the major lift,...” the melody is literally a fourth, fifth, a minor chord, then a major chord. Even centuries after the Renaissance, word painting still plays a significant role in music.


I commented on Jamie’s and Clabo’s posts.

Comments

  1. Hey Lily! I loved your post. I think you did a great job of describing Vesta and its great example of word painting! I had completely forgotten Friends in Low Places but now that you've brought it up it'll be stuck in my head...at least I've learned something about it! It uses word painting!

    ReplyDelete
  2. Even though I love music, and play several instruments, I got very confused as you were going through the different aspects of the Vesta. I loved it, but I was slightly confused. It was nice to see all the different aspects concentrated into two paragraphs.

    ReplyDelete
  3. I like that you defined word painting as when the melody matches the lyrics. I find this interesting because this means that music can be both auditory and visual and that is what I think of when I hear the phrase word painting. Great post and very informative!

    ReplyDelete
  4. I never really considered the fact that we still word paint to this day. Like you said, sad songs are typically in a minor key. I never would have really made that connection if I had not read your post. I wonder what other word painting techniques are still prevalent in today's music?

    ReplyDelete

Post a Comment

Popular posts from this blog

Aristotle Might Not Like Me...Or Jesus//Haylee Lynd

      Aristotle says that the man who does not get angry at the things he should be angry at "is thought unlikely to defend himself; and to endure being insulted and put up with insult to one's friends is slavish" (Aristotle 41). While he states that passivity is preferred to excessive anger, he still gives great criticism to it.  In contrast to Aristotle, the man who Christians believe to be the most just is Jesus who states in Matthew 5:39-40, "...do not resist an evil person. If anyone slaps you on the right cheek, turn to them the other also. And if anyone wants to sue you and take your shirt, hand over your coat as well." Essentially, arguing that one is not to respond in anger when insulted or hurt, to not defend one's self. Most individual's are unable to achieve this. Our natural instinct is to defend ourselves, especially in physical cases. However, Christians strive to be like Jesus in this way. I would also argue that it is a very admirable wa...

Oedipus’ Children/Siblings—Lily Caswell

Ok, so Oedipus is a bit of a train wreck to say the least. I love the fact that even after Oedipus found out about his less-than-appealing relationship with his mother, he still tried to look after his children/siblings. After he gouged his eyes out, his children came to him at which point Oedipus talked about how that when they were old enough to marry, no one would want them due to them being products of incest. He said for the people not to condemn them based on what their father had done. Even after he knew what he had done and what his children were, he still wanted the best for them. I commented on Logan’s and Ian’s posts.

Overanalyzing Everyone's Intentions Here-Rachael Gregson

 First off, I'd like to say this is going to be a two part blog post, because a lot of things happened in this reading assignment that demands to be discussed.  As with any war I've realized, it's tricky not to fall into the initial perspective I am given. I began this book skeptical of Hector because I was bias toward the movie Troy, which was told mostly through the eyes of Achilles, but neither were what I was expecting. It's actually funny that they both hold values completely opposite from one another. Hector represented everything related to city-state pride, honor, and humility whereas Achilles was everything wild, reckless, and unpredictable solitary. This isn't to say that Hector is all good and Achilles all bad. Both had instances where I rooted for the other more or less. I just thought it was interesting how their two personalities represented something that basically causes all wars: the clash between civilization and savagery.  Secondly, I'm not de...